The life aquatic with Steve Zissou

I normally write a blog post on the PPP blog after watching a film, but in this case I wanted to do it here because I focused on something else rather the plot itself, and it was the photography in this film.

The chosen colour palette is very defined and it is quite noticeable. The general palette changed when the kidnapping took place and again when Bill Murray went shooting.

It was also very interesting to see how the director represented the accident in first person through colours and shapes. This video shows what I am talking about.